Signal Bird – Storytelling for Everyone

Choctaw Folktale

Luksi, Choctaw Nation Totem

The Choctaw people loved nature and lived close to it. They observed carefully the happenings that occurred before weather changes. Their understanding was attributed to Great Spirit’s teachings.

The little Luksi or terrapin lives near the water, but he cannot live in it. He knows days ahead if there is to be a flood and moves to high ground. When the Indians see the terrapin moving, they know they must move too.

The Indians say saw grass, one of the sedges, blooms every hundred years unless a wind and rainstorm is coming. The terrapin does not like the odor of the blossoms, so as soon as the blooming begins; he moves to higher land where there is no grass. The blossoms and the moving terrapin tell the Indians of the approaching storm.

They say if the wind blows from the east for three consecutive days, rain will fall.

At times when rain is needed, the Indians may try to bring rain. If a snake can be found, it is killed and left with its stomach up to the sun. This will surely bring rain.

The Indians call the redheaded woodpecker the signal bird. If it pecks on the house or a tree near the house that is a signal danger is near and they must use precaution. Should a signal bird fly in front of one who has started on a trip, he knows danger lies ahead and he should return home.

When Josephine was little, she lived with her grandmother. She was always happy when she could go to see her mother. One morning soon after they had started, the signal bird flew in front of them.

“No, no! We must not go on. There is danger!” suddenly cried the grandmother.

“But we have just started! Why must we go back?” asked Josephine.

“Didn’t you see the signal bird fly in front of us? We must not go on!”

“I want to see my mother. I do not want to stay!” protested Josephine.
“We cannot ignore the bird’s warning,” her grandmother said firmly.

Josephine was so angry, when she got home, she took the blowgun her grandfather used to kill birds and went out to find the signal bird. Soon she saw him and blew an arrow at him. It caught his wing and he fluttered to the ground. Josephine ran and picked him up.

After she removed the arrow, she held him so he could not get away. She took him to her grandmother.

“Here, Grandmother, is the signal bird that flew in front of us,” she said as she opened her hands.

“Oh, Josephine, why did you do this?” scolded her grandmother when she saw the dead bird.

“I did not mean to kill him, but I am not sorry,” she said stubbornly.

“He was warning us of danger. You should not have killed him!”

“He would not let me see my mother! I did not like him!”

At that moment her grandfather came in to the house. “The river is up; you do not go today! It is so swift you could not cross,” he explained.

“Do you understand now, Josephine? We might have been drowned if the signal bird had not stopped us.”

Josephine could say nothing but a tear rolled down her cheek.

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Source: https://www.choctawnation.com/history-culture/heritage-traditions/childrens-stories

Note: May we heed the signals of all nature, with thoughts of safety for those in Hurricane Ida’s path, the home of the Choctaw Nation.

Author adminPosted on August 30, 2021Categories Animal, Nature, SeasonsTags Choctaw, flood, rainstorm, weather

John Barleycorn – Storytelling for Everyone

British Legend

Sir John Barleycorn and Miss Hop

It is now high summer and the union of Sun and Earth, of God and Goddess, has produced the First Harvest. Lammas is the celebration of this first, Grain Harvest, a time for gathering in and giving thanks for abundance.

In English folklore, John Barleycorn is a character who represents the crop of barley. Equally as important, he symbolizes the wonderful drinks which can be made from barley—beer and whiskey—and their effects. In the traditional folksong, John Barleycorn, the character of John Barleycorn endures all kinds of indignities, most of which correspond to the cyclic nature of planting, growing, harvesting, and then death.

Robert Burns & the Barleycorn Legend

Although written versions of the song date back to the reign of Queen Elizabeth I, there is evidence that it was sung for years before that. There are a number of different versions, but the most well-known one is the Robert Burns version.

Believe it or not, there’s even a John Barleycorn Society at Dartmouth, which says, “A version of the song is included in the Bannatyne Manuscript of 1568, and English broadside versions from the 17th century are common. Robert Burns published his own version in 1782, and modern versions abound.​”

The lyrics to the Robert Burns version of the song are as follows:

There was three kings into the east,
three kings both great and high,
and they hae sworn a solemn oath
John Barleycorn must die.

They took a plough and plough’d him down,
put clods upon his head,
and they hae sworn a solemn oath
John Barleycorn was dead.

But the cheerful Spring came kindly on’
and show’rs began to fall.
John Barleycorn got up again,
and sore surprised them all.

The sultry suns of Summer came,
and he grew thick and strong;
his head well arm’d wi’ pointed spears,
that no one should him wrong.

The sober Autumn enter’d mild,
when he grew wan and pale;
his bendin’ joints and drooping head
show’d he began to fail.

His colour sicken’d more and more,
and he faded into age;
and then his enemies began
to show their deadly rage.

They took a weapon, long and sharp,
and cut him by the knee;
they ty’d him fast upon a cart,
like a rogue for forgerie.

They laid him down upon his back,
and cudgell’d him full sore.
they hung him up before the storm,
and turn’d him o’er and o’er.

They filled up a darksome pit
with water to the brim,
they heav’d in John Barleycorn.
There, let him sink or swim!

They laid him upon the floor,
to work him farther woe;
and still, as signs of life appear’d,
they toss’d him to and fro.

They wasted o’er a scorching flame
the marrow of his bones;
but a miller us’d him worst of all,
for he crush’d him between two stones.

And they hae taen his very hero blood
and drank it round and round;
and still the more and more they drank,
their joy did more abound.

John Barleycorn was a hero bold,
of noble enterprise;
for if you do but taste his blood,
’twill make your courage rise.

‘Twill make a man forget his woe;
’twill heighten all his joy;
’twill make the widow’s heart to sing,
tho the tear were in her eye.

Then let us toast John Barleycorn,
each man a glass in hand;
and may his great posterity
ne’er fail in old Scotland!

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Source: https://www.learnreligions.com/the-legend-of-john-barleycorn-2562157

Bird Woman and Crocodile – Storytelling for Everyone

An Aboriginal Legend

Artist, Patricia Blee

A very long time ago, there was Crocodile. He was not so nice and not so courteous. He had the control of fire. Fire was very important for living. It was giving you light during the night and keeping you warm when you were cold. What can you do when you deal with a mean, ill-mannered crocodile? Many animals pleaded with Crocodile, but the more they begged, the meaner Crocodile would get.

One day even a little kangaroo pleaded with Crocodile, “Please give us some fire.”

You know what was Crocodile’s response? He exhaled some fire from his throat, scaring little kangaroo.

High up on a tree, there was a very nice Bird, who was observing everything. The Bird Woman also suffered from the lack of fire. She didn’t like eating her food raw. So, Bird Woman also pleaded with Crocodile to give some light not only to the animals, but also to the people.

“Please share some light with others,” begged Bird Woman on many occasions.

Once, Crocodile blew some fire at Bird Woman, almost burning her feathers. Another time, it snapped, “What do you need the fire for?”

“Well, for example, to cook our food,” she was nicely explaining to Crocodile.

“Eat it raw,” retorted Crocodile.

“Well, it tastes so much better, when it’s cooked,” continued Bird Woman.

“I will cook you with my fire, if you don’t disappear right now,” Crocodile replied angrily.

So she flew away not to anger Crocodile even more.

However, Bird Woman continued to observe Crocodile from her house in the tree. She was patiently watching and waiting. Then, one early morning, Crocodile was still half asleep, stretching and yawning. At his last yawn, he opened his jaw so wide that it took him quite some time to close it.

During that time, Bird Woman quickly flew down, snatching the fire-stick.

Before Crocodile realized what had just happened, Bird Woman was already flying up with the fire-stick. She flew around each tree putting fire into tree’s core. This way a tree could be used as wood to create fire. So people could cook their food, stay warm, and light their way through darkness.

This creation was very magical. It looked as Bird Woman was creating a rainbow with the yellow fire, flying around green trees and with the blue sky shining on her.

“Now, the people can have fire,” said Bird Woman proudly.

Bird Woman flew back to Crocodile and warned him, “From now on, you need to stay in the swamps. Don’t you dare to come out on land or I will light you up.”

The scared Crocodile now stays deep in the swamp. From time to time, he only ventures with his eyes above the water, curious what is going on with the other animals on the land.

So now you know why crocodiles live in the swamps and why the heroine bird is called Rainbow Bird.

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Source: Rainbow Bird: An Aboriginal Folktale from Northern Australia by Eric Maddern.
An Aboriginal fire legend of the Dalabon people of Beswick Reserve, telling how Bird Woman stole fire from Crocodile Man, and at the same time, turned herself into the beautiful Rainbow Bird, a dreamtime myth.

Flowers in Fairy Tales – Storytelling for Everyone

By Jenny

Daisies close up at night-time and wake up with the sun; anemones bud up when they sense a storm; sunflowers follow the sun’s path all day with their big, bright faces.

Not to mention that flowers can literally grow anywhere, and everywhere, wherever they please. Have you seen the classic photo of a flower emerging through concrete? I once heard a fantastic saying ‘There is no such thing as a weed, just a misplaced flower.’

Let’s face it, flowers are magical!

So it’s no wonder that they feature avidly throughout fairytales. Hans Christian Andersen and the Brothers Grimm, as well as many others, have countless stories where flowers are used for their beauty, their fragility and their strength, their enticing scent and of course their meaning.

Over the years, many fairytales have been adapted, however in The Grimm’s version of ‘Sleeping Beauty’ whilst ‘Aurora’ is growing up in disguise she is known as ‘Little Briar Rose’. Once she pricks her finger on the spindle and falls into a deep sleep, thorny briar roses grow all around her for protection. It is only the one handsome prince brave enough to tackle all these thorns that eventually makes it to her side to kiss her awake and break the enchantment.

In Hans Christian Andersen’s Thumbelina, a beggar woman exchanges barleycorn with a peasant’s wife for some food. The wife plants the barleycorn and a flower grows from it. Now the wife had been desperate for a child and as the petals of the yellow and red tulip unfurl, a tiny, little girl is revealed. The woman calls her Thumbelina.

The Tulip has been a strong symbolism of love and the Victorians also linked its meaning to acts of kind charity. The Turkish people who originally planted the bulbs believe the Tulip symbolised paradise on earth – all rather apt meanings considering the fairytale revolves around charity, love and being granted a precious gift you’ve always wished for.

Of course, I can’t forget ‘Beauty and the Beast’— a childhood favourite. An enchantress disguised as a beggar woman knocks on a spoilt Prince’s castle door for some shelter offering but a single rose in payment. The Prince scoffs at such a fragile, ephemeral offering and turns the beggar woman away.

Little did he know that she was a witch and in punishment she turned him into a hideous beast, the furthest thing from the beauty of the rose. The rose she gifted became his curse. All fleeting beauty of a cut flower vanished and was replaced with a decade of life. She gave him until the final petal fell to find true love and break the enchantment.

Flowers are certainly powerful, magical things. Their language, their appearance, their ability to evoke emotions is truly that of fairytales.

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Flowers in Fairytales

Author adminPosted on April 27, 2022Categories Fairy Tales, Folktales, NatureTags flowers, grimm, Hans Christian Andersen, magic

Goddess Bereginya – Storytelling for Everyone

Ukrainian Spirit of Protection

Bereginya – art by Lana Frey

The ancient Slavs believed in Bereginya – the Great Goddess that produced all things. Bereginya is basically a combination of  “hearth-mother,” associated with the guardianship, even of the nation itself, which is a trait of Mokosh, and the rusalka (feminine water spirits).

Bereginya has many similarities with rusalka. According to popular belief, a betrothed bride who had died before her wedding could easily turn into either a Bereginya or a rusalka. The main trait which sets Bereginyas apart from rusalkas is that they usually live in light instead of water.

On Rusalka or Trinity week, the time of flowering rye, Bereginyas and rusalkas would emerge from another world and haunt the earth. But come end of Rusalka week, and Rusalkas would leave earth and return to water. Bereginyas, on the other hand, would leave earth to go back to the light.

However, Bereginya has more power than a regular Rusalka. She is a protector of the family, and a protector of women – which is another trait of Mokoš.

Cult of Bereginya in Ukraine

Since the Ukrainian independence in 1991, she has undergone a folkloric metamorphosis, and is today identified as a combination of the “hearth-mother” (associated with the guardianship of the nation) and a rusalka.

This metamorphosis has its roots in the late 1980s, as several Ukrainian writers sought to personify their vision of an ideal Ukrainian woman. Consequently, Berehynia (the Ukrainian version of the name) today also has a place in Ukrainian nationalism, feminism, and neopaganism.

The re-interpretation as a “protectress” is due to a folk-etymology, which associates the name, which is derived from the Ukrainian word bereh (Russian bereg) – “river bank”, with the unrelated verb berehty in Ukrainian (Russian berech) which means “to protect”.

In 2001, a column with a sculpture of Berehynia on top (pictured) was erected at Maidan Nezalezhnosti (Independence Square) in the center of the city, on the site of the former Lenin monument. The monument is to serve as a protector of Kiev, with an older monument located just across the square – Kiev’s historic protector Archangel Michael, who is also pictured on the Coat of Arms of Kiev.

Rituals of Bereginya

Rituals foods devoted to Bereginya are dairy products: milk, butter, curds, and cheese. This is why in some villages this day is called: “Cheese Bogoroditsa”, i.e. Mother Mary of Cheese.

N.V. Belov also mentions a ritual of “bewitching the field for plenty of grain” on this day.

For this, three women of different ages, take new linen towels, and go into the field. Each of these women waves the towel in the air with her left hand and recites a spell. They recite in an order of age: the oldest first, then the middle one, and finally – the youngest one. The spell sounds like this:

“Mother Earth-Zemlyanitsa, it is your holiday today,
We three came to honor you
And brought new towels.
Give Goddess, so that earth would not be empty,
So that rye would be thick.
In the name of our native Gods,
Now and forever!
So Mote It Be!”

__________________

Source: Igor Ozhiganov

Bereginya – The Slavic Spirit of Protection

Author adminPosted on March 14, 2022Categories Fairy Tales, Folktales, Legends, Myth, NatureTags Bereginya, goddess, Mother Earth, Protection, slavic

Celtic Goddess – Storytelling for Everyone

of Love, Summer, and Sovereignty

Aine is often remembered as a Celtic goddess of love. But she was also a deity of wealth, sovereignty, and the summer. Her sensitive and joyful personality brought her many followers in the Celtic world. The heart of her cult was located in Limerick, Ireland, though her fame spread like the sun’s rays over many other regions.

Associations between Aine with Venus, Aphrodite, and any other love deity are vague. She was a very complex goddess. One may assume that the goddess of love would have had bright and happy myths surround her, however the legends about Aine are rather depressing. Stories often told of the goddess being raped and murdered, as well as facing many other difficult situations.

Yet these sad stories actually brought her closer to the women who lived in the tough Celtic world. It is important to remember that when the Celtic army worked for others or fought for their land, women also had to protect their homes, towns, and settlements. Therefore, death, cruelty, and sexual abuse were unfortunately quite common for women.

Despite the sad tales, Aine brought women hope and reminded them of the joys of summer and more pleasant times. This may be why she was worshipped instead of some other deities. Aine brought women hope and reminded them of the joys of summer and more pleasant times.

A Sunny Goddess

Celtic legends say that Aine was the daughter of Eogabail, who was a member of the legendary Tuatha Dé Danann. In folklore, she was also recognized as the wife of the sea god Manannan Mac Lir – a deity who was very important for Celtic warriors.

In ancient Irish myths and legends, Aine is described as a Faery Queen, a goddess of the earth and nature, and a lady of the lake. It was believed she brought luck and good magic to her worshippers. Some identify her as a brighter side of the famous goddess Morrigan.

Aine is also known as the goddess who taught humans the meaning of love. She took many human men as lovers and bore many Faerie-Human children. There are countless stories about her escapades with human lovers. Most of the stories about Aine and her lovers were happy and peaceful tales, but some were also sad or disturbing.

The Legend of Aine’s Encounter with Ailill Aulom

One of the unpleasant legends speaks of a man who didn’t want to learn the meaning of love, but was only driven by his sexual desires. This lout was the King of Munster called Ailill Aulom. According to the traditional story, he raped Aine, so she bit off his ear – which made people call him ‘One-eared Aulom.’

In Old Irish law, kings needed to have a perfect appearance and a complete body. Thus, Aulom lost his authority. This story shows that Aine was also a powerful goddess of sovereignty. As a deity, she granted power to good people, but also took it away from the bad ones.

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Source: https://www.ancient-origins.net/myths-legends/aine-radiant-celtic-goddess-007097

Author adminPosted on July 6, 2022Categories Fairy Tales, Legends, Myth, Nature, SeasonsTags Celtic, faery queen, goddess, Ireland, Limerick, Love, summer, warrior

Battle of Wind and Rain – Storytelling for Everyone

Philippines Folktale

One sunny day, there were some harmless clouds dotting the sky. But what you don’t know is that on those harmless clouds were resting four natural forces named Thunder, Lightning, Rain, and Wind.

It didn’t take long for Wind to say, “Are you all as bored as I am?”

“No,” the other three forces answered immediately.

“Oh, come on,” said Wind. “A little storm won’t harm anybody.”

“I feel so fluffy on this cloud,” said Lightning. “Leave me alone.”

Wind couldn’t stand still and stirred the pot by blowing some wind at Thunder’s cloud.

“Stop it,” yelled Thunder.

“Ha, ha, ha,” laughed Wind. “Hey Rain,” said Wind, “Do you want me to blow some wind your way, too?”

“No,” snapped Rain.

“Oh, come on,” continued Wind, “Let’s have some fun.”

“Can’t you be still at least for a second?” Rain was getting more and more irritated.

Wind sensing it, persisted. “Let’s play a game, who is more powerful.”

“Under one condition,” retorted Rain “If I win, you will never get in my way. It will mean rainy days without wind.”

Wind with a smirk on his face said, “But if I win, you will never ever drop another tear on this earth.”

Earth without rain meant nothing would survive on earth. That’s not a good promise to make. But Rain was getting so annoyed by Wind. “Fine. You asked for it. I’ll show you who is more powerful.”

So Rain and Wind looked for a place to start their battle. Rain very quickly spotted a monkey on a bamboo tree. Rain knew that a bamboo tree was very flexible; it could bend instead of breaking as other trees. She just wasn’t sure if the monkey could hold on to the tree. But this was her best chance.

So she challenged Wind. “If you can knock down that monkey, then you win.”

“As you wish,” Wind answered boldly.

Not wasting any time, Wind started blowing heavy winds. With every breath he took in, his cheeks were getting bigger and bigger, as they were about to explode. Wind was getting more and more agitated as he was realizing that he couldn’t break the bamboo tree. Out of exhaustion he gave up and turned to Rain, “Let’s see how smart you can get.”

“No problem,” answered Rain and started her magic with dark sky and grey clouds creating a heavy rain. Monkey, with her flexible arms and legs, was still holding on to the bamboo tree.

It made Wind very happy, because neither one of them was winning. “Let’s call it even,” Wind said hastily.

“Not so fast,” answered Rain and swiftly changed the rain into big drops that were hitting the wet monkey very hard. Exhausted, the monkey climbed down to look for a place she could hide from rain. “Does that make me a winner?” asked Rain with a big smile on her face.

But Wind was already gone, too upset to face Rain. Or maybe he was already showing the first signs of keeping the promise that he wouldn’t get in Rain’s way. What do you think?

Now you know when strong winds come and they are so strong that they take people’s houses with them, people hope for rain. When Rain comes in, they hope that Wind will make Rain go away.

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Source: http://geowonderland.blogspot.com/2012/06/battle-of-wind-and-rain-philippines.html

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Demeter Goddess of Grain – Storytelling for Everyone

Greek Mythology

Demeter appeared most commonly as a grain goddess. The name Ioulo (from ioulos, “grain sheaf”) has been regarded as identifying her with the sheaf and as proving that the cult of Demeter originated in the worship of the grain mother.

Demeter, in Greek religion, daughter of the deities Cronus and Rhea, sister and consort of Zeus (the king of the gods), and goddess of agriculture. Her name indicates that she is a mother.

Demeter is rarely mentioned by Homer, nor is she included among the Olympian gods, but the roots of her legend are probably ancient.

Her legend centers on the story of her daughter Persephone, who is carried off by Hades, the god of the underworld. Demeter goes in search of Persephone and, during her journey, reveals her secret rites to the people of Eleusis, who had hospitably received her, the Eleusinian Mysteries.

Another important aspect of Demeter was that of a divinity of the underworld; she was worshiped as such at Sparta, and especially at the festival of Chthonia at Hermione in Argolis, where a cow was sacrificed by four old women.

The epithets Erinys (“Avenger”) and Melaina (“the Black One”) as applied to Demeter were localized in Arcadia and stress the darker side of her character.

Demeter also appeared as a goddess of health, birth, and marriage. A certain number of political and ethnic titles were assigned to her, the most important being Amphiktyonis, as patron goddess of the Amphictyonic League, subsequently well known in connection with the temple at Delphi.

Among the agrarian festivals held in honour of Demeter were the following: Haloa, apparently derived from halōs (“threshing floor”), begun at Athens and finished at Eleusis, where there was a threshing floor of Triptolemus, her first priest and inventor of agriculture; it was held in the month Poseideon (December).

Chloia, the festival of the grain beginning to sprout, held at Eleusis in the early spring (Anthesterion) in honour of Demeter Chloë (“the Green”), the goddess of growing vegetation.

Proerosia, at which prayers were offered for an  abundant harvest, before the land was plowed for sowing. It was also called Proarktouria, an indication that it was held before the rising of Arcturus. The festival took place, probably sometime in September, at Eleusis.  

Thalysia, a thanksgiving festival held in autumn after the harvest in the island of Cos. The Thesmophoria, a women’s festival meant to improve the fruitfulness of the seed grain.

Her attributes were connected chiefly with her character as goddess of agriculture and vegetation—ears of grain, the mystic basket filled with flowers, grain, and fruit of all kinds. The pig was her favourite animal, and as a chthonian (underworld) deity she was accompanied by a snake.

In Greek art Demeter resembled Hera, but she was more matronly and of milder expression; her form was broader and fuller. She was sometimes riding in a chariot drawn by horses or dragons, sometimes walking, or sometimes seated upon a throne, alone or with her daughter.

The Romans identified Demeter with Ceres.

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Source: https://www.britannica.com/topic/Demeter

Author adminPosted on November 23, 2022Categories Folktales, History, Legends, Myth, Nature, SeasonsTags Demeter, goddess, greek, harvest, rituals, Thanksgiving

Filipino Folktales – Storytelling for Everyone

How the Moon and Stars Came to Be

One day in the times when the sky was close to the ground a spinster went out to pound rice. Before she began her work, she took off the beads from around her neck and the comb from her hair, and hung them on the sky, which at that time looked like coral rock.

Then she began working, and each time that she raised her pestle into the air it struck the sky. For some time she pounded the rice, and then she raised the pestle so high that it struck the sky very hard.

Immediately the sky began to rise, and it went up so far that she lost her ornaments. Never did they come down, for the comb became the moon and the beads are the stars that are scattered about.

The Sun and the Moon

Once the Sun and the Moon quarreled with each other, and the Sun said:

“You are only the Moon and are not much good. If I did not give you light, you would be no good at all.”

But the Moon answered:

“You are only the Sun, and you are very hot. The women like me better, for when I shine at night, they go outdoors and spin.”

These words of the Moon made the Sun so angry that he threw sand in her face, and you can still see the dark spots on the face of the Moon.

The Man with the Cocoanuts

One day a man who had been to gather his cocoanuts loaded his horse heavily with the fruit. On the way home he met a boy whom he asked how long it would take to reach the house.

“If you go slowly,” said the boy, looking at the load on the horse, “you will arrive very soon; but if you go fast, it will take you all day.”

The man could not believe this strange speech, so he hurried his horse. But the cocoanuts fell off and he had to stop to pick them up. Then he hurried his horse all the more to make up for lost time, but the cocoanuts fell off again. Many times he did this, and it was night when he reached home.

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Source: Philippine Folk Tales by Mabel Cook Cole.  A.C. McClurg & Co., Chicago, 1916.

Art by Dante Hipolito

Author adminPosted on May 31, 2023Categories Animal, Fables, Folktales, NatureTags AAPI, Asian American Pacific Islander Heritage, creation, Filipino, pourquoi tale

The Winter Spirit – Storytelling for Everyone

Ojibwa Legend

An old man was sitting alone in his wigwam by the side of a frozen stream. It was the close of winter, and his fire was almost out. He appeared very old and very desolate. His locks were white with age, and he trembled in every joint. Day after day passed in solitude, and he heard nothing but the sounds of the tempest, sweeping before it the new-fallen snow.

One day as his fire was just dying, a handsome young man approached and entered his dwelling. His cheeks were red with the blood of youth; his eyes sparkled with life, and a smile played upon his lips. He walked with a light and quick step. His forehead was bound with a wreath of sweet grass, in place of the warrior’s frontlet, and he carried a bunch of flowers in his hand.

“Ah! my son,” said the old man, “I am happy to see you. Come in. Come, tell me of your adventures, and what strange lands you have been to see. Let us pass the night together. I will tell you of my prowess and exploits, and what I can perform. You shall do the same, and we will amuse ourselves.”

He then drew from his sack a curiously-wrought antique pipe, and having filled it with tobacco, rendered mild by an admixture of certain dried leaves, he handed it to his guest. When this ceremony was attended to, they began to speak.

“I blow my breath,” said the old man, “and the streams stand still. The water becomes stiff and hard as clear stone.”

“I breathe,” said the young man, “and flowers spring up all over the plains.”

“I shake my locks,” retorted the old man, “and snow covers the land. The leaves fall from the trees at my command, and my breath blows them away. The birds rise from the water and fly to a distant land. The animals hide themselves from the glance of my eye, and the very ground where I walk becomes as hard as flint.”

“I shake my ringlets,” rejoined the young man, “and warm showers of soft rain fall upon the earth. The plants lift up their heads out of the ground like the eyes of children glistening with delight. My voice recalls the birds. The warmth of my breath unlocks the streams. Music fills the groves wherever I walk, and all nature welcomes my approach.”

At length the sun begun to rise. A gentle warmth came over the place. The tongue of the old man became silent. The robin and the blue-bird began to sing on the top of the lodge. The stream began to murmur by the door, and the fragrance of growing herbs and flowers came softly on the vernal breeze.

Daylight fully revealed to the young man the character of his entertainer. When he looked upon him he had the visage of Peboan, the icy, old, Winter-Spirit. Streams began to flow from his eyes. As the sun increased he grew less and less in stature, and presently he had melted completely away.

Nothing remained on the place of his lodge-fire but the mis-kodeed, a small white flower with a pink border, which the young visitor, Seegwun, the Spirit of Spring, placed in the wreath upon his brow, as his first trophy in the North.

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Source: The Indian Fairy Book: From the Original Legends [Contains 26 Native American folktales] by Cornelius Mathews. Allen Brothers, New York, 1869.

Author adminPosted on December 14, 2022December 14, 2022Categories Folktales, Legends, Nature, SeasonsTags Indigenous people, Native American, Ojibwa, seasons